Ever since the strange animal with the musical nose trumpet had first mysteriously appeared, padding down the steps of the Poincare Machine in the warehouse lab of Lady Alexia Laplace and Aristophanes Brown, they had wondered about some of the creature’s odder quirks.
One of the oddest of these was its obvious great interest in any passing moth or butterfly that fluttered past is Cleopatra eyes. On its muzzle disguised walks, the sight of a red admiral would always cause it to emit a “hoo-heee-hoooooo” of joy. But now it was autumn, and butterflies were less numerous on the Embankment.
However, in the equinoctal nights, moths would flail in through open windows, and the moon-a-muck would behave very differentlly. It wouldn’t be excited, it would be as calm as a manatee in a warm ocean having its tummy tickled by a mermaid.
The cause of this was the night-time moths of autumn, the yellow underwings, the drinkers, the vapourers. They would swarm around the moon-a-muck, gently landing on its silvery-grey fur, and everytime one did so, the creature would gently croon “woooooo” until it fell asleep, more satisfied even then when it hooted up a whole bowl of crystals.
The moon-a-muck’s love of moths must mean something. But what?
Copyright Bloody Mulberry 09.09.15